

- #Transformers Sound Effects Wav Files upgrade#
- #Transformers Sound Effects Wav Files full#
- #Transformers Sound Effects Wav Files trial#
When filling out customs forms we declare the actual purchase price.
#Transformers Sound Effects Wav Files upgrade#
We also may upgrade UPS and FedEx ground service to USPS Priority Mail if we are feeling extra nice.Īlso note that international customers are required to pay all import duties and taxes required by their respective countries. We may substitute UPS for FedEx ground service and vice versa.
#Transformers Sound Effects Wav Files full#
To reflect the policies of the shipping companies we use, weights may be rounded up to the next full pound. Please note that the shipping rates for many items we sell are dimensional weight-based. Please coordinate with the shipping company to have your package held for pickup if you know you will not be home when the package is expected to arrive. Once an order ships you will be sent tracking information via email and/or Facebook Messenger (if selected at checkout). We ship Silver Bullets within 7-10 business days. Once payment is approved, in stock products, other than Silver Bullets will ship out from Rogue Planet Command within 2-3 business days. Delivery time estimates are given on the checkout page. When you place an order, we will estimate shipping delivery times for you based on your location and the shipping option you choose. We ship to (just about) any address in the world via USPS, UPS, FedEx, and DHL Express. Units received in any condition other than "like new" may be subject to a restocking fee.Ĭlick here to email us World-Class Shipping Once we receive and inspect the unit we will issue a refund for the purchase price less the cost of shipping. You are responsible for ensuring the products arrive safely at our shop. Please note that you will be responsible for return shipping costs and we ask that you insure the unit for its full retail value to protect against loss or damage. To complete your return, just give us a call or shoot us an email, and we'll send you instructions for packing up your unit and shipping it back.
#Transformers Sound Effects Wav Files trial#
Please refrain from racking 19 inch rackmount gear during this trial period so that the faceplate and enclosure don't get scratched. It must also be in the original packaging with all original materials (power supply, power cord, product card, etc.). To be eligible for a return, your item must be "like new" and in the same condition that you received it. Try out our gear in your studio and, if within 14 days you're not satisfied, let us know and we'll issue a refund. More vibe in the room mics, low end has a tight, authoritative sound, and snare sounds like how you always want snare to sound without reaching for a sample. Drum Bus of summed processed elements now has a massive, heavy quality to it. Overheads are doing that boxy overhead thing, so I give it the EQ treatment via FET Filter cutting 500 Hz pushing into a Royal Blue module with the top end boost on to make the cymbals shine. I dial in some Focus at 10 o'clock to get a bit more knock from the beater. Sub content that does nothing but rob our precious headroom gets the axe, and suddenly my kick sounds heavier.


Kick gets the same Stage II treatment with the resonant bump coming from Super Filter. No gimmicky noise floor/hiss emulations here, just very very pleasing saturation, and a nice resonant bump at 45 Hz (from the 23 Hz HPF setting) - snare sounds better now. Snare got the Stage II treatment with Mass Drivr into Super Filter. Super Filter has this magical tendency to make stuff sound, dare I say, ‘tapey’ in a very very natural way. Starting with drum room mics, I blew them up with Implode modules on stun driving into Mass Drivr modules for weight. I tend to track pretty clean so that I can color later on as the arrangement comes together. Silver Bullet on overheads, with Audient pres on everything else. Drumsĭrums are a very basic set up: the usual suspects on close mic duties, large diaphragm condensers, stereo room pair. This brief demo song was written and recorded by Rogue Planet Command's very own Tone Elf, Michael Craver in his home studio using pretty basic gear. The front panel and internal settings are given in the right column for each track or submix. Submixes and the final 2-bus mix are presented to contrast and compare the dry and processed sounds in the context of the mix. Each track is processed through a specific Mister Focus configuration, as noted. The following audio clips feature the individual elements of a complete production.
